Old. Irrelevant. Washed up. Out of touch. Creatively dead.
Anyone who has followed Bob Dylan’s career over the past half-century has probably applied, or heard some version of these terms applied, to the past ten years—a period that will probably be remembered as the artist’s lost decade. And with some justification.
After all, since 2001, Dylan has given us Love and Theft, Modern Times and Together Through Life, three albums that range from the merely mediocre to the truly awful. Anyone who felt that he had lost his edge is entirely justified.